For many of us, the world of comics is a strange and wonderful place filled with garishly beautiful pictures of muscular men and robust young women battling behemoths or vanquishing villains. In spite of its glorious technicolor, comic books and the entirety of the super-hero genre, seems somehow to be locked into a somewhat black and white mentality. Heroes are always the wunderkind who will save the world, or the damsel, from the manic machinations of morally-bankrupt megalomaniacs. The question is, who will save us from the overly formulaic super-story? Enter Justin Grossman.
Soon I Will Be Invincible is a study in contrasts. Told in alternating points of view, the novel follows budding New Champion member Fatale, a cyborg with some nifty gadgets, and Dr. Impossible, the world's smartest super-villain. Grossman does a great job shading in the shades of grey with these two unlikely protagonists, and the humor of the book cannot be denied, but what is it that sets Soon I Will Be Invincible apart from the other super-hero novels that have hit the stands in the last few years? Well, the answer is as complicated as the Rube Goldbergian super-science weapons that Dr. Impossible usesto try to take over the world, but it can simply be boiled down to the following: This is not a Villain Apologist piece.
What exactly do I mean by that, though? Well, in John Gardner's novel Grendel, for example, we are made to feel sympathy for the poor, misunderstood monster. This is what I mean by a Villain Apologist piece (Jaws wasn't evil, he was just hungry and it is a shark's nature to stalk lonely swimmers... right). At any rate, Grossman does not go out of his way to paint Dr. Impossible as a tragic figure (in fact, Dr. Impossible beats himself up and constantly second-guesses his decision to be a villain), and the fact that he is so smugly superior, obnoxious, and blinded by his own personal issues really keeps you from feeling that this is a misunderstood genius. Part of what makes this so much fun is the fact that you spend the entire book thinking that Dr. Impossible is the biggest stereotypical jerk villain on Earth, but he is just so interesting that you never want his sections to end.
On the flip side, you have Fatale. Now here is a character that starts off as fairly dull and uninteresting, and starts to shine mainly because the alleged super-heroes around her are an even bigger batch of jerks than Dr. Impossible on his worst day. The massive egos battling amongst themselves in the New Champions make for some entertaining fodder, but the simple fact that Fatale, the newest and least experienced of the lot, is the smartest, most observant, and generally most diplomatic person in the group makes for an interesting story.
OK, so here you have the two protagonists, each plagued by doubts and worries, wondering what it all means, and set up on opposite sides. The question is: how is it all going to work out? The answer is the one person that ties the whole story together Lily. The transparent woman from the future acts like a combination shepherd and traffic cop through the story, bridging the gap between heroes and villains, and her ultimate revelations at the end of the book put everything into perspectiveon both sides of the aisle. The question we must ask now is why? You will need to read the book, because I am certainly not answering that one here!
With all that said, most of you are asking, "Will I like this?" The answer, my friends, is that if you have ever thought that a super-hero film or comic book was silly or unrealistic, wondered why the villain was so predictable, wanted to watch the hero get his butt kicked, or just wanted a laugh at a super-hero's expense, then you will probably like this. Whether you love or hate comic books, this story will flat out knock your socks off with its zeta radiated goodness.
THAC0: 5
*Note: I am grading things based on the old system of 'To Hit Armor Class 0' or THAC0 from the old Advanced Dungeons & Dragons. The idea is that the lower the number, the lower you need to roll to score a hit. In terms of my grade, the THAC0 is the number I believe, on a scale of 1-20, that I think this will be a hit with you, the reader. 1 means that I think that pretty much everyone will love this book/movie/show and 20 means that almost nobody will like it.
Wednesday, January 7, 2009
Wednesday, December 17, 2008
Review: The Third Lynx by Timothy Zahn
When last we left Frank Compton, he had successfully destroyed the Modhri and saved the universe... or so he thought. Races, chases, intrigue, murders, and a few good old switcheroos will leave the reader looking for more, and our friend Mr. Zahn delivers in a fantastically fun way.
Timothy Zahn's second entry into what I refer to as 'the Galactic Railway' series picks up almost exactly where the first book, Night Train to Rigel, left off. The first book, a charming story of an interstellar railway system run by beings known simply as 'The Spiders', used many Hitchcockian tropes to take our hero and his companions into a dangerous conflict with an alien called the Modhri. The second book is no less a life or death struggle, and contains no fewer surprises and references to Hitchcock than the first, but here the story ends in its similarity. Where in the first book, much of the story was spent on discovering who and what the villains of the piece were, now Frank is secure in his job working for the Spiders and their masters, and the Modhri is much diminished in power with its major colonies having been destroyed.
This is, by no means, the only difference to the two books. While Night Train to Rigel was heavily invested in Hitchcock references, The Third Lynx is more of an homage to Dashell Hammet's Maltese Falcon and Poe's Purloined Letter. Although the referents may be different, this in no way detracts from the story, and in fact it makes the book even stronger. The Third Lynx has a distinctly more noir feel to it, and it carries through with all of its ideas with a panache that beggars the imagination.
THAC0: 6
*Note: I am grading things based on the old system of 'To Hit Armor Class 0' or THAC0 from the old Advanced Dungeons & Dragons. The idea is that the lower the number, the lower you need to roll to score a hit. In terms of my grade, the THAC0 is the number I believe, on a scale of 1-20, that I think this will be a hit with you, the reader. 1 means that I think that pretty much everyone will love this book/movie/show and 20 means that almost nobody will like it.
Timothy Zahn's second entry into what I refer to as 'the Galactic Railway' series picks up almost exactly where the first book, Night Train to Rigel, left off. The first book, a charming story of an interstellar railway system run by beings known simply as 'The Spiders', used many Hitchcockian tropes to take our hero and his companions into a dangerous conflict with an alien called the Modhri. The second book is no less a life or death struggle, and contains no fewer surprises and references to Hitchcock than the first, but here the story ends in its similarity. Where in the first book, much of the story was spent on discovering who and what the villains of the piece were, now Frank is secure in his job working for the Spiders and their masters, and the Modhri is much diminished in power with its major colonies having been destroyed.
This is, by no means, the only difference to the two books. While Night Train to Rigel was heavily invested in Hitchcock references, The Third Lynx is more of an homage to Dashell Hammet's Maltese Falcon and Poe's Purloined Letter. Although the referents may be different, this in no way detracts from the story, and in fact it makes the book even stronger. The Third Lynx has a distinctly more noir feel to it, and it carries through with all of its ideas with a panache that beggars the imagination.
THAC0: 6
*Note: I am grading things based on the old system of 'To Hit Armor Class 0' or THAC0 from the old Advanced Dungeons & Dragons. The idea is that the lower the number, the lower you need to roll to score a hit. In terms of my grade, the THAC0 is the number I believe, on a scale of 1-20, that I think this will be a hit with you, the reader. 1 means that I think that pretty much everyone will love this book/movie/show and 20 means that almost nobody will like it.
Monday, December 15, 2008
In & Out on 12/15
Another exciting week is over and a new one is just beginning. Last week saw action, adventure, excitement, and a distinct lack of Dewey decimal system usage by the Librarian as well as a whole lot more.
To start, last week had the distinct honor to have three fun SFSNNJ events in it. Suspense Central started the week with a visit from author E.J. Rand as we discussed his award winning first book Say Goodbye. Next was a holiday edition of our comics discussion group at New Moon Comics, Drawing a Crowd. Last (and most important) was our annual Face the Fiction Holiday Party featuring the NJ Devil Hunters Society and folklorist Sandy Schlosser (I won't go into how wonderful both groups are here since there is a much better review already written on our forums).
I managed to miss most of the cool TV entries last week, but I plan on catching up when I have a chance. For those that saw them, the new Heroes, Sarah Conner Chronicles, and 11th Hour were supposed to be good. I managed to catch up on an episode of Fringe that I missed, but was disappointed as they seem to be copying scripts from Strangeworld wholesale. TNT released its (alleged) final chapter in the Librarian series, but it seems likely that as interest has not abated in this franchise, there will be further films, though I have the feeling that they will be without Noah Wylie (I haven't seen it yet, so I cannot comment further).
In the theatres, The Day the Earth Stood Still yawned its way to the top. With a depressing $30M in boxoffice for the weekend, it is a massive let down from the $70M+ entries of both Quantum of Solace and Twilight from just a few weeks ago. Strangely both Twilight and Bolt seem to be holding their own in the 3rd and 4th slotseven after two weeks, though their box offices are distinctly unimpressive.
Coming up this week? New episodes of Sarah Conner and Chuck, and not much else on the tube. In theatres, expect to be excited by the Tale of Despereaux and we can look forward to Valkyrie and The Spirit coming next week. In the SFSNNJ< we will be at Panera on Route 17N in Ramsey on Wednesday for Films to come, where we can talk about the best and the worst of 2008 and beyond!
To start, last week had the distinct honor to have three fun SFSNNJ events in it. Suspense Central started the week with a visit from author E.J. Rand as we discussed his award winning first book Say Goodbye. Next was a holiday edition of our comics discussion group at New Moon Comics, Drawing a Crowd. Last (and most important) was our annual Face the Fiction Holiday Party featuring the NJ Devil Hunters Society and folklorist Sandy Schlosser (I won't go into how wonderful both groups are here since there is a much better review already written on our forums).
I managed to miss most of the cool TV entries last week, but I plan on catching up when I have a chance. For those that saw them, the new Heroes, Sarah Conner Chronicles, and 11th Hour were supposed to be good. I managed to catch up on an episode of Fringe that I missed, but was disappointed as they seem to be copying scripts from Strangeworld wholesale. TNT released its (alleged) final chapter in the Librarian series, but it seems likely that as interest has not abated in this franchise, there will be further films, though I have the feeling that they will be without Noah Wylie (I haven't seen it yet, so I cannot comment further).
In the theatres, The Day the Earth Stood Still yawned its way to the top. With a depressing $30M in boxoffice for the weekend, it is a massive let down from the $70M+ entries of both Quantum of Solace and Twilight from just a few weeks ago. Strangely both Twilight and Bolt seem to be holding their own in the 3rd and 4th slotseven after two weeks, though their box offices are distinctly unimpressive.
Coming up this week? New episodes of Sarah Conner and Chuck, and not much else on the tube. In theatres, expect to be excited by the Tale of Despereaux and we can look forward to Valkyrie and The Spirit coming next week. In the SFSNNJ< we will be at Panera on Route 17N in Ramsey on Wednesday for Films to come, where we can talk about the best and the worst of 2008 and beyond!
Wednesday, December 10, 2008
Review: Nightlife by Rob Thurman
While browsing around the Borders in Ramsey the other day I stumbled across just such a book, and so I read through the beginning of the book. Ms Thurman, you had me rooted to the spot. I immediately bought all three of the current series (Nightlife, Moonlight, and Madhouse), and I did not even make it to my car when a friend of mine pilfered book one from my Borders bag. Considering that I am the literary version of a crack dealer in our group, I graciously allowed my friend Ann Marie to steal book one and read it ahead of me. First taste is free and all that.
So, you are asking, why all the excitement? Well, it is no mystery that there is a lot of modern fantasy going around night now. It started with characters like Anita Blake and expanded with the success of Jim Butcher's Dresden Files and Charlaine Harris' Sookie Stackhouse/True Blood series which had both great books and TV shows. Now, the publishers cannot put out enough of these kinds of books. Authors like Simon Green are at the top of their game with this style, and newcomers like Mark delFranco are wow-ing readers across the board, but how do you separate the gold from the dross in this ever-expanding genre? Reviews, help, but it is more trial and error than anything else.
Now, on to why this book and series is so spectacular. Nightlife is the story of two half-brothers, Caliban and Niko, who are on the run and hiding out in New York. Sons of a gypsy fortune-teller, none know who Niko's father is, but Caliban's father is a monster. Not a John Wayne Gacy or Ted Bundy type monster, but a fangs, claws, and glowing red eyes kind of monster. A monster who wants his son for some reason known only to him. Enough about the set-up, though, let's get to the meat of the matter.
Nightlife is a great character study, and a wonderful introduction to the world that Rob Thurman is working in. Strangely, for a first book, Nightlife seems more like a second book, concentrating on character and story development more than the formulaic origin story that most first books tend to fall back on. Sure, the origin story is in there, but it is carefully woven into the narrative in flashbacks, and does not take up any significant part of the book. The main thrust of the story strikes directly into the relationship of the two brothers, and highlights all of their worst fears and horrors. The ensemble cast of Cal, Niko, and their new friend Robin Goodfellow (who remains my personal favorite) try desperately to do their parts in a story that is lager than any one of them. The fact that they all undergo massive changes and character development in the course of this book is a testament to the amazing work that Thurman is putting out.
If you are looking for style, substance, relatable characters, and horrifying scenes, then this is your one stop smorgasbord.
THAC0: 3
*Note: I am grading things based on the old system of 'To Hit Armor Class 0' or THAC0. The idea is that the lower the number, the better this is at being an actual hit in terms of game mechanics. In terms of my grade, the THAC0 is the number I believe, on a scale of 1-20, that I think this will be a hit with you, the reader. 1 means that I think that pretty much everyone will love this book/movie/show and 20 means that almost nobody will like it.
So, you are asking, why all the excitement? Well, it is no mystery that there is a lot of modern fantasy going around night now. It started with characters like Anita Blake and expanded with the success of Jim Butcher's Dresden Files and Charlaine Harris' Sookie Stackhouse/True Blood series which had both great books and TV shows. Now, the publishers cannot put out enough of these kinds of books. Authors like Simon Green are at the top of their game with this style, and newcomers like Mark delFranco are wow-ing readers across the board, but how do you separate the gold from the dross in this ever-expanding genre? Reviews, help, but it is more trial and error than anything else.
Now, on to why this book and series is so spectacular. Nightlife is the story of two half-brothers, Caliban and Niko, who are on the run and hiding out in New York. Sons of a gypsy fortune-teller, none know who Niko's father is, but Caliban's father is a monster. Not a John Wayne Gacy or Ted Bundy type monster, but a fangs, claws, and glowing red eyes kind of monster. A monster who wants his son for some reason known only to him. Enough about the set-up, though, let's get to the meat of the matter.
Nightlife is a great character study, and a wonderful introduction to the world that Rob Thurman is working in. Strangely, for a first book, Nightlife seems more like a second book, concentrating on character and story development more than the formulaic origin story that most first books tend to fall back on. Sure, the origin story is in there, but it is carefully woven into the narrative in flashbacks, and does not take up any significant part of the book. The main thrust of the story strikes directly into the relationship of the two brothers, and highlights all of their worst fears and horrors. The ensemble cast of Cal, Niko, and their new friend Robin Goodfellow (who remains my personal favorite) try desperately to do their parts in a story that is lager than any one of them. The fact that they all undergo massive changes and character development in the course of this book is a testament to the amazing work that Thurman is putting out.
If you are looking for style, substance, relatable characters, and horrifying scenes, then this is your one stop smorgasbord.
THAC0: 3
*Note: I am grading things based on the old system of 'To Hit Armor Class 0' or THAC0. The idea is that the lower the number, the better this is at being an actual hit in terms of game mechanics. In terms of my grade, the THAC0 is the number I believe, on a scale of 1-20, that I think this will be a hit with you, the reader. 1 means that I think that pretty much everyone will love this book/movie/show and 20 means that almost nobody will like it.
Monday, December 8, 2008
In & Out on 12/8
Well, I apologize for the week off, so this will be an expanded, extended, exciting edition of In & Out for this week (actually I am lying through my teeth).
As December rolls into full blast, many shows go on hiatus, many groups go into hibernation, and many activities get put off in favor of Holiday celebrations and other fun stuff. Due to last week's hectic work schedule, the only thing I got to see was Heroes, and right now, I am even blanking on that. I do remember seeing the beginning of 11th Hour and was suitably unimpressed by that one (had something to do with the Bends). No noteworthy film releases last week, though the release of The Transporter 3 brought back memories of deja vu as we all watched Jason Statham perform the exact same film for the 3rd time.
What is coming up? Well, tonight at 8pm Deadly Ink Press's celebrated and award winning author EJ Rand will be joining us for burgers and murders at Fuddruckers in Paramus. We will be discussing his fantastic book Say Goodbye and maybe getting some glimpses into the sequels. Should be great. We also have continuing game campaigns, and, of course, the absolutely fantastic SFSNNJ Annual Holiday Party, which will feature folklorist Sandy Schlosser as well as members of the Jersey Devil Hunters Society. Details can be found at http://www.sfsnnj.com in the Face the Fiction section.
On the big screen, Keanu Reeves will be commanding the robot Gort to wipe humanity from the face of the Earth in the remake of The Day The Earth Stood Still. I plan on re-watching the original so I can see how far the new one falls short, since it seems to be a significant change in tone and concept from the original film (at least in the trailers).
Who knows what else the future holds? Not me, I'm way too busy!
As December rolls into full blast, many shows go on hiatus, many groups go into hibernation, and many activities get put off in favor of Holiday celebrations and other fun stuff. Due to last week's hectic work schedule, the only thing I got to see was Heroes, and right now, I am even blanking on that. I do remember seeing the beginning of 11th Hour and was suitably unimpressed by that one (had something to do with the Bends). No noteworthy film releases last week, though the release of The Transporter 3 brought back memories of deja vu as we all watched Jason Statham perform the exact same film for the 3rd time.
What is coming up? Well, tonight at 8pm Deadly Ink Press's celebrated and award winning author EJ Rand will be joining us for burgers and murders at Fuddruckers in Paramus. We will be discussing his fantastic book Say Goodbye and maybe getting some glimpses into the sequels. Should be great. We also have continuing game campaigns, and, of course, the absolutely fantastic SFSNNJ Annual Holiday Party, which will feature folklorist Sandy Schlosser as well as members of the Jersey Devil Hunters Society. Details can be found at http://www.sfsnnj.com in the Face the Fiction section.
On the big screen, Keanu Reeves will be commanding the robot Gort to wipe humanity from the face of the Earth in the remake of The Day The Earth Stood Still. I plan on re-watching the original so I can see how far the new one falls short, since it seems to be a significant change in tone and concept from the original film (at least in the trailers).
Who knows what else the future holds? Not me, I'm way too busy!
Wednesday, November 26, 2008
Review: Paul of Dune
Very rarely will I review an item I did not like. I much prefer to recommend things that I think are good and ignore things that I think are dreadful. In the case of Paul of Dune I am torn. While this was not a great book, neither too was it so awful that I would refuse to mention it. Perhaps, my review should simply be that I was disappointed by its mediocrity.
Paul of Dune is essentially a bi-polar book. There are two stories being told here, and while one is contemporary to the time period between Dune and Dune: Messiah, the other story is a flashback from the period prior to the original Dune series. The real meat (i.e. the enjoyable part of the story) is the tale of the initial transition of the House Atreides into the role of Imperial leaders and the beginnings of the Jihad. Sadly, the rest of the story is a tedious, unnecessary, and blatantly stupid subplot about Duke Leto getting married to the daughter of Armand of Ecaz.
Wait, you are saying, didn't we already do this? Yup. Remember the tedious prequels in the Houses of Dune series? Yeah, there was that really ridiculous War of Assassins between House Moritani and House Ecaz, and Leto's betrothed was murdered. Apparently she had a sister and Duke Leto was going to go through the marriage plans with the new girl, relegating Jessica to the role of 'the bit on the side'. All I can say is, "Why?" There is no apprent motivation or reason. Most of the rest of this subplot is equally ludicrous.
Meanwhile, we have a pretty good story about the Court of Paul Muad'dib and his Jihad. We watch as Gurney and Stilgar try to ride the tiger of the fanatical Jihadis, showing us exotic battlefields and amazing scenes. The Court scenes are equally impressive as we watch Alia earn her props as a political insider and leader in waiting. One thing that I really liked is the portrayal of loyal and noble Irulan, and her relationships with her estranged family who are exiled to Salusa Secundus. The scenes with Shaddam and Wensicia are well done, as are many of the scenes between Hasimir Fenring and Paul. Sadly, the whole education of Marie Fenring among the Bene Tleilax is handled poorly and resembles the flashback in structure and style (i.e. poorly thought out and badly plotted).
So, what do I really think about this one? It is good, but it is basically two different books badly welded together with only the thinnest of plot devices. It seems fairly certain that the flashback sequences were likely supposed to be a last novel in the Houses series, while most of the Jihad-era material was obviously inspired by Frank Herbert's original notes and story outlines. Fans of the Dune books will enjoy this latest entry (for the most part), but will likely skim through the flashback sections since they are the literary version of The Phantom Menace.
THAC0: 14
*Note: I am grading things based on the old system of 'To Hit Armor Class 0' or THAC0. The idea is that the lower the number, the better this is at being an actual hit in terms of game mechanics. In terms of my grade, the THAC0 is the number is believe on a scale of 1-20 that I think this will be a hit with you, the reader. 1 means that I think that pretty much everyone will love this book/movie/show and 20 means that almost nobody will like it.
Paul of Dune is essentially a bi-polar book. There are two stories being told here, and while one is contemporary to the time period between Dune and Dune: Messiah, the other story is a flashback from the period prior to the original Dune series. The real meat (i.e. the enjoyable part of the story) is the tale of the initial transition of the House Atreides into the role of Imperial leaders and the beginnings of the Jihad. Sadly, the rest of the story is a tedious, unnecessary, and blatantly stupid subplot about Duke Leto getting married to the daughter of Armand of Ecaz.
Wait, you are saying, didn't we already do this? Yup. Remember the tedious prequels in the Houses of Dune series? Yeah, there was that really ridiculous War of Assassins between House Moritani and House Ecaz, and Leto's betrothed was murdered. Apparently she had a sister and Duke Leto was going to go through the marriage plans with the new girl, relegating Jessica to the role of 'the bit on the side'. All I can say is, "Why?" There is no apprent motivation or reason. Most of the rest of this subplot is equally ludicrous.
Meanwhile, we have a pretty good story about the Court of Paul Muad'dib and his Jihad. We watch as Gurney and Stilgar try to ride the tiger of the fanatical Jihadis, showing us exotic battlefields and amazing scenes. The Court scenes are equally impressive as we watch Alia earn her props as a political insider and leader in waiting. One thing that I really liked is the portrayal of loyal and noble Irulan, and her relationships with her estranged family who are exiled to Salusa Secundus. The scenes with Shaddam and Wensicia are well done, as are many of the scenes between Hasimir Fenring and Paul. Sadly, the whole education of Marie Fenring among the Bene Tleilax is handled poorly and resembles the flashback in structure and style (i.e. poorly thought out and badly plotted).
So, what do I really think about this one? It is good, but it is basically two different books badly welded together with only the thinnest of plot devices. It seems fairly certain that the flashback sequences were likely supposed to be a last novel in the Houses series, while most of the Jihad-era material was obviously inspired by Frank Herbert's original notes and story outlines. Fans of the Dune books will enjoy this latest entry (for the most part), but will likely skim through the flashback sections since they are the literary version of The Phantom Menace.
THAC0: 14
*Note: I am grading things based on the old system of 'To Hit Armor Class 0' or THAC0. The idea is that the lower the number, the better this is at being an actual hit in terms of game mechanics. In terms of my grade, the THAC0 is the number is believe on a scale of 1-20 that I think this will be a hit with you, the reader. 1 means that I think that pretty much everyone will love this book/movie/show and 20 means that almost nobody will like it.
Monday, November 24, 2008
In & Out 11/24
Well, ithas been another crazy week with a ton of really cool things going in and on and around. In the SFSNNJ we celebrated the works of Ian Fleming during Tripping the Write Fantastic at Borders Garden State Plaza with an in-depth discussion of Fleming's books and the Eon movies, and at Films to Come we talked moview, movies, movies late into the night.
In film, Twilight hit the box office like a ton of bricks, and though the Blonde Bond managed to hold onto the number 2 slot it's box office draw dropped more than $50M dollars coming in barely ahead of Disney's Bolt. Fans of animated pictures were evenly divided between the aforementioned Bolt and Dreamworks' Madagascar 2: Escape to Africa.
On the television, fans of True Blood watched the season finale and reveled in the conclusion of the story. Though several aspects were changed for better TV storytelling, the first season was remarkably close to the first book, and the end of the season pretty much mirrors the start of the second book. Kudos to the cast and crew for a brilliant series, and for following Ms Harris' story so well!
This week we have a holiday that is throwing the works off, but we do have a topic discussion on Tuesday, Themes of the Fantastic at 8pm at New Moon Comics in Little Falls. Tonight on NBC is another new Heroes episode, however there is a lot of dead air on TV, and no new or notable SF-related films coming to the theatres. It looks like this might be a good week to sit back and study up on Star Trek for the May movie.
In film, Twilight hit the box office like a ton of bricks, and though the Blonde Bond managed to hold onto the number 2 slot it's box office draw dropped more than $50M dollars coming in barely ahead of Disney's Bolt. Fans of animated pictures were evenly divided between the aforementioned Bolt and Dreamworks' Madagascar 2: Escape to Africa.
On the television, fans of True Blood watched the season finale and reveled in the conclusion of the story. Though several aspects were changed for better TV storytelling, the first season was remarkably close to the first book, and the end of the season pretty much mirrors the start of the second book. Kudos to the cast and crew for a brilliant series, and for following Ms Harris' story so well!
This week we have a holiday that is throwing the works off, but we do have a topic discussion on Tuesday, Themes of the Fantastic at 8pm at New Moon Comics in Little Falls. Tonight on NBC is another new Heroes episode, however there is a lot of dead air on TV, and no new or notable SF-related films coming to the theatres. It looks like this might be a good week to sit back and study up on Star Trek for the May movie.
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